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Soft Cell's Creative Genius Dave Ball Passes Away, at the Age of 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (left) formed Soft Cell with Marc Almond in Leeds in 1977

Dave Ball, one half of the groundbreaking 1980s synth-pop duo Soft Cell, has passed away at the age of 66.

Alongside singer Marc Almond, the duo scored a worldwide hit with their cover of Gloria Jones' Tainted Love in the mid-80s, and their debut album Non-Stop Erotic Cabaret is regarded as a seminal work of electronic music.

He subsequently formed the pioneering techno group The Grid, who secured popular acclaim with their 1994 single the hit Swamp Thing.

Ball died calmly in his sleep at his residence in London on Wednesday 22 October, just weeks after performing a featured performance with Soft Cell at the Rewind Festival in Henley-on-Thames.

Recent Health Challenges

At that show, Ball performed in a mobility chair, as he had for the previous couple of years, following a spate of ill-health.

"I ended up injure myself significantly," he stated in a recent interview. "I broke lower vertebrae in my back and fractured about multiple ribs and fractured my arm."

Following catching a lung infection and developing sepsis, he was put in an induced coma and stayed in hospital for half a year.

Nevertheless, he had been in "a great place mentally" during the summer, as he worked on a fresh record with Almond, called Danceteria, which is set for publication in the coming year.

"He was focused and very pleased with the latest project that we literally completed only a short time ago," stated the singer in a heartfelt message.
"It's so sad as next year was completely planned to be such an positive year for him, and I find comfort from the knowledge that he heard the completed album and believed that it was a great piece of work."
Soft Cell performing in the early 1980s
The duo were at the forefront of the electronic music scene in the early 1980s

Tributes

Almond referred to his collaborator as "a wonderfully brilliant creative mastermind", adding: "He was the heart and soul of Soft Cell and I'm very proud of our legacy.

"Thank you Dave for being an immense part of my existence and for the songs you created with me. I couldn't be where I am without your influence."

His Grid bandmate from The Grid, also paid tribute, recalling Ball's "endless laughter" and "unwavering friendship".

"Being in a duo with someone is distinct from being in a band, the connection is very tight," he continued.
"That was the case with us. We experienced so many remarkable, extraordinary, life-affirming moments as a team. Many thanks, Dave."
Dave Ball in 2018
Dave Ball, pictured at a radio station in recent years

Early Life

Born into a single-parent household in Chester in the late 50s, Ball was given up for adoption when he was a year and a half old.

He was raised in the seaside town with adoptive parents Donald and Brenda Ball, who altered his given name from his birth name to his adopted name, together with his sibling his sister, who was similarly welcomed.

He met Almond at Leeds Polytechnic in 1977, where they were both learning art. Fuelled by a shared love of Northern Soul, they established Soft Cell the same year, and promptly produced an EP.

Musical Partnership

The duo were an distinctive combination: Ball was the quiet technician, bent over his keyboard, while Almond was a charismatic showman, all sparkle and eye-liner; but they attained a unique musical alchemy.

Ball had developed a fascination with synthesizers after watching the band Kraftwerk appear on BBC science show a popular series, and started to marry moody electronic sounds to the soaring melodies Almond was writing.

Tainted Love became the United Kingdom's second biggest-selling song of 1981, shifting 21 million copies globally. Alongside hits by other artists, Human League and Ultravox, it contributed to paved the way for the synth-pop sound of the 80s.

The song was also featured on their first album, Non-Stop Erotic Cabaret, which spawned two additional high-charting singles: Bedsitter and Say Hello, Wave Goodbye.

They continued the record up with the separate release, Torch, which reached at number two in 1982.

Soft Cell in the studio
The pair were working on new material until just before Ball's passing

Professional Journey

Success had its benefits. "I loved being able to afford my initial property, having money and travelling, which might seem like a Miss World," Ball recently told with a music magazine.

But it also presented challenges. "Newfound wealth meant we could afford newfound drugs to relieve the monotony" of press appearances and TV performances, Ball explained.

"I know that's a cliché, but it's a truism for a valid cause, because it works for so many bands."

Amidst the hedonistic lifestyle, the duo were also drifting apart, but they succeeded to produce a follow-up memorable record - the wayward, tense and fittingly named The Art Of Falling Apart.

They put out one more album, 1984's This Last Night In Sodom, before dissolving the group to focus on other projects.

Almond proceeded to have a successful individual path, including the top 10 hit Something's Got A Hold Of My Heart; while Ball formed The Grid, who combined acid house with melodic sounds over a long-lasting collaboration.

Reunions and Final Projects

Soft Cell reunited in the early 2000s, releasing the Top 40 album Cruelty Without Beauty.

Following a further hiatus, they returned in 2018, issuing the original singles Northern Lights and Guilty (Cos I Say You Are) before performing what was intended to be a final performance at the O2 Arena on September 30, 2018.

However, they remained together, recording their fifth album, Happiness Not Included, during the 2020 Covid lockdown.

Ball recently described the band's new album as a homage to the NYC nightlife they visited while making their first two albums.

He added that his time in hospital had shaped the band's sound.

"I experienced unusual memories when I was coming and going of hospital because I was on pain medication," he explained to a music magazine.
"Our latest tracks are a digital reflection of the noises in my mind from that time.
"Simultaneously, it's about the times me and Marc got up to in the 80s."

The final mixes were completed only a short time before Ball died. It is due for launch in Spring 2026.

Written by

Denise Lewis

Tech enthusiast and writer passionate about space exploration and emerging technologies.

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